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Tuesday, May 27, 2014

Engines of (Musical) Creation

So about a month ago, right before we left on our current patrol, I decided that I didn't have enough random bits and pieces of computer software. So I decided to add an music/audio editor and synthesizer to the list of software tools I possess.

Specifically: Vocaloid, version 3, code 01: Miku Hatsune. (And I got the version with an English voice library.)

What's unique about this is that the Vocaloid software is designed to synthesize vocal tracks. Essentially, what I paid for was the database containing each of the sounds that a vocalist might make while singing (ideally) any song that one could imagine. Then I use the included editor to designate pitches and timing intervals, and the program takes those sounds out of the database and plays them back at the right pitches in the right sequence.

While it might not seem possible, I can assure you (having listened to a lot of Japanese Vocaloids music) that the result is surprisingly realistic. There's something slightly off about it, something that generally makes it possible for the listener to tell that they're listening to something artificial, but it's still very, very close to the real thing.

Of course, there's only one possible use to which I could put such a thing: write music.

Unfortunately, I'm not quite there yet. Frankly, even after a month of toying with this in my spare time, I'm still trying to get the editors it came with to work properly. Getting Miku to sing some of the old chorus warm-up exercises I remember from high school was rather fun and amusing. Getting the results to sound as realistic as possible will take longer.

And writing an actual song of my own will take a level of musical theory knowledge that I don't think I ever possessed, even when I was practicing on the piano every day and taking chorus classes. (Incidentally, misreading a key signature and the notes on a staff when I tried to get Miku to sing Irish Folktale was... not exactly one of my prouder moments. As good as my memory is, dredging up details I haven't used in six years isn't the easiest thing in the world.) I'll get there... eventually... if I stick with this... but I'm not there yet.

So where am I going to go from here? Well, I already have some things I can use to get some practice. The audition music from high school (the aforementioned Irish Folktale) is both readily available and relatively simple, yet adding flourishes to it will still serve as a good learning experience. And if I get bored with that, well, I managed to find some sheet music for Frozen in a bookstore in Kuala Lumpur, so I can always have Miku sing that as well.

For that matter... I've found some pretty good instrumental music (mostly connected with Internet games I play) on the audio section of a website called Newgrounds, and the Creative Commons license it's released under means I can do whatever I want with it so long as I don't try to sell it. So maybe adding lyrics to some of that would be worth a try.

Not sure where I'm going to post whatever I come up with, though. I suppose that will be more important when I actually have something to share, though.

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